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Chris Rock's 'Misty Green' Wastes Rosalind Eleazar's Star Turn

NPR's review of Chris Rock's A24 film 'Misty Green' says it squanders its potential, giving Rosalind Eleazar a half-baked role while Rock plays a familiar savior.

Chris Rock's 'Misty Green' Wastes Rosalind Eleazar's Star Turn

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  1. Chris Rock's new film is titled 'Misty Green', distributed by A24.
  2. Rosalind Eleazar stars in the film's central role.
  3. NPR's review says the film 'squanders its potential'.
  4. The review criticizes a 'half-baked role' for Eleazar and Rock's 'moralizing savior' figure.
  5. The film intends to critique Hollywood's treatment of Black women.

Chris Rock's new film Misty Green sets out to critique Hollywood's treatment of Black women — and, according to NPR's review, it fails at its own stated goal. Instead, the film hands its star, Rosalind Eleazar, a "half-baked role" while Rock himself plays "a moralizing savior we've seen before."

The movie is distributed by A24, the indie label behind a string of high-profile prestige releases. Rock directs and appears in the film; Eleazar, whose profile has risen steadily through television and film work, takes the central role.

What goes wrong?

The review's core criticism is a mismatch between intention and execution. Misty Green wants to indict an industry pattern — how Black women get written, cast and discarded. But the film reportedly repeats the very structure it criticizes: the Black woman at its center is underwritten, while the story's moral weight lands on Rock's familiar savior figure.

That's a specific failure, not a vague one. A critique of thin roles for Black women that delivers a thin role for its Black female lead doesn't just fall short — it undercuts its own argument. NPR's verdict, in short: the film "squanders its potential."

Why Eleazar's casting matters

Rosalind Eleazar is the film's drawing card, and the review frames her part as the clearest evidence of the problem. A performer capable of carrying the material gets a role the critic describes as half-formed. The savior dynamic — a male lead who narrates and resolves a woman's predicament — is the older, well-worn template the film claims to be moving past.

What does this change for audiences?

For viewers tracking A24's slate or Rock's directing career, it's a signal to temper expectations: this is a prestige-adjacent release with a serious subject that, by this account, doesn't deliver on it. For anyone hoping Eleazar would get a fully realized lead role in a major platform release, the wait continues.

The takeaway from NPR's assessment is blunt: good intentions, named subject, missed execution. How Misty Green fares with wider audiences — and whether Eleazar's performance draws a different consensus — will show whether this early verdict holds.

Original: nytimes.com

chris-rock, misty-green, rosalind-eleazar, a24, film-review

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