Dead Man’s Bones Return After 17 Years With “Lost in the Night”
Dead Man’s Bones return with “Lost in the Night,” their first new song since 2009, recorded in a barn after fruitless Los Angeles studio sessions. No new album is announced.

Programme
- “Lost in the Night” arrives on Oct. 27, Dead Man’s Bones’ first new song since 2009.
- The band’s 2009 self-titled debut was its first and only album, made with the Silverlake Conservatory Children’s Choir.
- Tim Anderson produced both “Lost in the Night” and the group’s 2009 debut.
- The barn sessions used two guitars, two drum machines and a pair of synths.
- The music video stars Noah Jupe and Rain Spencer.
By Tom Whitfield
Dead Man’s Bones, the band featuring Ryan Gosling and Zach Shields, will release “Lost in the Night” on Oct. 27. It is the group’s first new song in 17 years. The announcement revives their 2009 project, but it leaves the larger future of the group undefined.
The song opens with an eerie, atmospheric guitar clang. Gosling and Shields then quicken the pace, finding a balance between unvarnished post-punk production and large-scale emotion.
Tim Anderson, the group’s longtime collaborator, produced “Lost in the Night.” He also helmed Dead Man’s Bones’ self-titled debut in 2009. Anderson is therefore the named production link between the band’s only album and its first new song in nearly two decades.
How did the song take shape?
Gosling and Shields spent time moving between studios in Los Angeles, but they could not find the sound they wanted. They finally found it in a more lo-fi setting: a barn outside the city. There they set up with:
- Two guitars
- Two drum machines
- A pair of synths
The account gives no session dates or technical details about the recording process. What it does establish is a contrast between multiple Los Angeles studios and one barn with a small, stated palette of equipment.
The “Lost in the Night” video stars Noah Jupe and Rain Spencer. It follows the couple out of a cemetery and around a city at night. The available details do not explain the story or cast beyond that premise, so the video currently offers a nocturnal setting rather than a stated narrative.
The return was teased last week by Gosling’s wife, Eva Mendes. She shared a few spooky, season-style posts and joked about trying to “summon new music” from the long-dormant group. A subsequent post, shared alongside Dead Man’s Bones, assured fans that new music would arrive on Oct. 27. The first posts were playful; the second supplied a date.
Dead Man’s Bones has not announced a new record. Its Instagram announcement for the single promises only: “More coming soon.” The phrase provides no album title or release plan beyond the single itself.
The group’s 2009 self-titled debut was its first and only album, a collaboration with the Silverlake Conservatory Children’s Choir. It earned positive reviews and buzz, then quickly disappeared. The new announcement does not revisit that early reception or explain why the album vanished so soon after its release.
In the nearly two decades since, Gosling has become one of the biggest movie stars on the planet. Shields has worked extensively as a writer and producer, including on the upcoming Weapons prequel, Gladys. Neither career history, however, amounts to a stated plan for Dead Man’s Bones.
What does the single change for Dead Man’s Bones?
For listeners, it turns a 17-year silence into a dated release with a video and a clear production connection to the 2009 album. For Gosling and Shields, it establishes that they found a shared song and a workable setting for making it. It does not establish an album, a second release date or a durable new phase.
The test now is whether “More coming soon” becomes a second song, a record or another long silence. On the evidence of Oct. 27, Dead Man’s Bones has announced a single, not a comeback plan.
Original: instagram.com
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Market editor covering people, launches and day-to-day practice in arts in the broadest sense at Arts & Voices.
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