Filippo Bernardini, the Publishing World's Manuscript Thief, May Be at It Again
Filippo Bernardini admitted stealing hundreds of manuscripts and swore he'd stop. A new report says online activity now mirrors his old tricks — and then some.

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- Filippo Bernardini admitted to stealing hundreds of unpublished manuscripts from the book business.
- After his admission, Bernardini swore he would never do it again.
- A new report says fresh online skulduggery resembles his old tricks — and goes 'and then some.'
Filippo Bernardini — the man who admitted to stealing hundreds of unpublished manuscripts from the book business — may have returned.
That is the alarm raised in a new report titled "Filippo Bernardini Scammed the Book Business for Years. Is He Back?" The report's subtitle states the core of the case plainly: "The man who admitted to stealing hundreds of manuscripts swore he'd never do it again. New online skulduggery resembles his old tricks, and then some."
The claim rests on a pattern. According to the report, new online activity bears a resemblance to Bernardini's earlier methods — and goes, in the report's words, "and then some," suggesting the recent activity is not merely a repeat of the old scheme but an escalation of it.
The report does not say who has been targeted in the new activity, how many people or publishers have been affected, or when the activity was first detected. What it does establish is the central, concrete fact of the story: Bernardini admitted to stealing hundreds of manuscripts, and after that admission he swore he would never do it again.
That vow now sits under a question mark. The report frames the situation as a direct test of whether Bernardini's promise held, and its title — "Is He Back?" — signals that the answer remains unresolved. The evidence it points to is behavioral: the new online skulduggery "resembles his old tricks," a formulation that stops short of a definitive identification while inviting the comparison.
For the publishing industry, the stakes of that comparison are considerable. Bernardini's admitted thefts ran to hundreds of manuscripts — unpublished, in-copyright works by working writers — and the scale of the original scheme made him one of the most notorious figures in modern publishing fraud. Any recurrence of similar tactics would reopen questions about how agents, editors and authors verify who is requesting their sensitive, unreleased work.
The report's language carries its own editorial weight. "Skulduggery" is a pointed word choice. So is "and then some," which implies the new activity exceeds the old in scope or audacity rather than simply matching it.
No law enforcement action, arrest, or formal accusation connected to the new activity is described in the report. The question it poses — whether Bernardini is back — is, on the available evidence, an open one, and the report presents it as such rather than as a settled conclusion.
Whether the industry, the author, or authorities respond to the resemblance the report identifies will determine whether the question mark in its title becomes a full stop.
Source: NYT Arts
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News editor covering consumer brands and retail at Arts & Voices.
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