Garth Brooks Closes 2026 Tour With Two Minneapolis Shows at Target Center

Garth Brooks will end his 2026 'Blame It All On My Roots Arena Tour' with two concerts at Minneapolis's Target Center on December 11 and 12 — his 24th and 25th headline performances at a building where he already holds the record for the most headline shows by a solo artist.

The country superstar has sold more than 430,000 tickets at Target Center over the years. These final two nights will extend that record. The year has already seen Brooks sell more than 500,000 concert tickets overall, per the tour announcement.

Before Minneapolis, Brooks plays four consecutive nights in Hamilton, Ontario, from December 3 through 6.

What does the tour actually deliver?

The production is built as a throwback to the arena shows that turned Brooks, an Oklahoma country singer, into one of the biggest live performers in music history. The set leans on communal singalongs — songs like 'Friends in Low Places,' 'The Dance,' 'The Thunder Rolls' and 'Callin' Baton Rouge' function less as performances than as shared events, with fans delivering every lyric as enthusiastically as the man holding the microphone.

The staging centers on a 360-degree stage surrounded by towering LED screens known as 'the halo.' The setup lets Brooks play to the entire venue, whether fans sit close to the action or in the upper levels.

How do tickets work?

Pricing is flat and unusually simple. Every seat for the Minneapolis concerts costs $155 before local taxes, broken down as:

• $140 ticket price
• $5 venue fee
• $10 service charge

The price stays the same for an end-stage or in-the-round configuration. General sales open November 13 at 10 a.m. local time.

Why Minneapolis, and why document it?

Minneapolis is a deliberate choice of finale. Brooks has played 23 previous shows at Target Center, and the announcement calls the relationship between the singer and local audiences remarkable.

The tour also feeds a larger project: 'Killer Live,' Brooks's approach to documenting live performances by capturing concerts as they happen. The project builds on his long-running interest in preserving the spontaneous moments — a perfectly timed chorus, an unexpected crowd roar, an arena singing a quiet ballad — that make each show different.

With six final nights across Hamilton and Minneapolis, Brooks closes his 2026 calendar with decades of country classics and, by his own tour's framing, no shortage of people willing to sing along.