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Georgian Film 'Guria' Takes Best Film at Asia Pacific Screen Awards

"Guria" won best film at the 19th Asia Pacific Screen Awards on Oct. 30 in Queensland, beating a field of 36 films from 32 countries and regions across the Asia Pacific.

Georgia’s ‘Guria’ Wins Best Film at Asia Pacific Screen Awards as Thailand’s Sompot Chidgasornpongse Takes Director Priz
Georgia’s ‘Guria’ Wins Best Film at Asia Pacific Screen Awards as Thailand’s Sompot Chidgasornpongse Takes Director PrizBoliviaInteligente / unsplash

Programme

  1. "Guria," directed by Levan Koguashvili, won best film at the 19th Asia Pacific Screen Awards on October 30.
  2. 36 nominated films from 32 countries and regions competed this year.
  3. Sompot Chidgasornpongse won best director for "9 Temples to Heaven."
  4. Five 2026 MPA APSA Academy Film Fund projects will each receive a $10,000 grant.
  5. The APSA Academy now counts more than 1,816 members across 84 countries and areas.

Levan Koguashvili's "Guria" won best film at the 19th Asia Pacific Screen Awards, held October 30 at The Star Gold Coast in Queensland, Australia. Koguashvili shared the prize with fellow producers Olena Yershova and Boris Frumin. The Georgian-led production was made across seven countries: Georgia, Switzerland, Luxembourg, Bulgaria, Türkiye, Norway and Saudi Arabia.

Thai director Sompot Chidgasornpongse won best director for "9 Temples to Heaven," a co-production involving Thailand, Singapore, France, Norway, China, Hong Kong, Indonesia and Qatar. Myanmar's Aung Phyoe received a special mention in the directing category for "Fruit Gathering." Afghan director Shahrbanoo Sadat took the Jury Grand Prize for "No Good Men."

This year's field comprised 36 nominated films from 32 countries and regions.

Who won the performance and craft awards?

Nepalese actor Pushpa Thing Lama won best performance for "Elephants in the Fog." South Korea's Sim Su-bin was named best new performer for "The World Before."

The screenplay award went to Rakan Mayasi, Wahid Ajmi and Pôl Seif for "Yesterday the Eye Didn't Sleep," backed by Belgium, Lebanon, Palestine, Qatar and Saudi Arabia. Vietnamese cinematographer Nguyễn Vinh Phúc won for "Hearing."

Other craft prizes went to:

  • Best youth film: New Zealand's Paloma Schneideman for "Big Girls Don't Cry," produced by Vicky Pope and Thomas Coppell
  • Best animated film: "The Violinist," a Singapore-Spain-Italy co-production co-directed by Singapore's Ervin Han and Spain's Raúl García
  • Best documentary: Itab Azzam and Jack MacInness for "One in a Million," a U.K.-U.S. film following the life of a Syrian refugee
  • Cultural Diversity Award: Isabelle Kalandar, who directed and produced "Another Birth," a Tajikistan-U.S.-Qatar collaboration
  • Young Cinema Award, given with NETPAC: India's R. Gowtham for "Members of the Problematic Family"

Tracey Vieira, chair of the Asia Pacific Screen Awards, said: "From 'Guria' and 'No Good Men' to 'Elephants in the Fog,' this year's winners remind us of the extraordinary stories emerging from our region and the importance of creating opportunities for these voices to be recognized internationally."

What does the ceremony mean for emerging filmmakers?

Malaysian filmmaker Haziqah Azemi won the Forum Filmmaker Award, run with The Post Lounge Group, for her project "Garek." The story centers on a woman whose relationship is tested when she faces religious persecution after becoming pregnant outside marriage. Azemi took part in the Griffith Film School and APSA Regional Reels program and returned to APSA this year after developing the project with mentoring from APSA Academy member Yulia Evina Bhara.

Veteran Indian producer Bobby Bedi received the FIAPF Award for outstanding contribution to film in the Asia Pacific. Luis Alberto Scalella, president of FIAPF, said: "Through landmark films such as 'Bandit Queen' and 'Fire,' he has championed powerful stories that have challenged audiences and resonated far beyond India."

The ceremony also revealed five projects selected for the 2026 MPA APSA Academy Film Fund, each receiving a $10,000 grant funded entirely by the Motion Picture Association:

  • Payal Kapadia's "A Memory of Being Here" (India), produced by Thomas Hakim
  • Davy Chou's "My Father's Glory" (France, Cambodia), produced by Charlotte Vincent
  • Taifeng Liu's "A Place in the Sun" (China), produced by Janet (Yan Yan) Wu
  • Nicole Midori Woodford's "Incarnation" (Singapore, Japan), produced by Anthony Chen
  • Zhanana Kurmasheva's documentary "The Story of My Shirt" (Kazakhstan, Uzbekistan, Kyrgyzstan, China, Chile), produced by Banu Ramazanova

Three of the five projects are directed by women. Chen returns to the fund after working on "We Are All Strangers," which received a grant in 2023 and was among this year's nominees.

Urmila Venugopalan, president and managing director, Asia Pacific, at the Motion Picture Association, said the success of "9 Temples to Heaven," which received MPA APSA Academy Film Fund support in 2021, "shows the importance of supporting filmmakers and their stories from the earliest stages of development."

Every APSA nominee, along with members of the nominations councils and juries, joins the APSA Academy, whose president is Australian screen veteran Jack Thompson. The body now has upward of 1,816 members across 84 countries and areas. With five funded projects now moving toward production, the awards' development pipeline continues to feed next year's nominee field.

Source: Variety Film

asia-pacific-screen-awards, guria, levan-koguashvili, best-film, asian-cinema

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