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- Juan Atkins died at 64; his agency Greensmith Artists confirmed the death on social media.
- He was found dead in his Mexico City hotel room on Saturday, before a performance, per a family representative.
- Rolling Stone in 2022 ranked his 1985 single "No UFO's", as Model 500, among the 200 greatest dance songs.
- He broke out in the early 1980s with Cybotron, formed with Richard Davis.
- Rolling Stone: "Juan Atkins invented techno, full stop — he conceived it and named it."
Juan Atkins, the Detroit producer who invented and named techno, has died at 64. His talent agency, Greensmith Artists, confirmed the death on social media but did not cite a cause. A family representative said he died in his hotel room in Mexico City on Saturday, before a scheduled performance.
Atkins never cracked the Billboard charts. In techno, nobody disputes his influence anyway.
Who was Juan Atkins?
Atkins emerged from Detroit's soul and funk scene and built a pulsating form of electronic dance music that, as critics liked to note, sounded icy and sizzling at the same time. He fused the futurism of Kraftwerk with the funk of George Clinton and arrived at something new. Detroit became a capital of the genre as a result — even after techno went global, flourishing in cities like Berlin and Amsterdam.
He broke out in the early 1980s with Cybotron, a groundbreaking electronic group he formed with Richard Davis, a poet, musician and Vietnam War veteran.
Why does the obituary keep saying he 'invented' it?
Because the record supports the verb. Rolling Stone, in 2022, was blunt:
"Juan Atkins invented techno, full stop — he conceived it and named it — and one of its many aspects that he pioneered was the use of multiple aliases for different types of work."
The magazine wrote that when it placed his 1985 single "No UFO's" — released under the alias Model 500, a nom de synth (a recording pseudonym for synthesizer-based work) — on its list of the 200 greatest dance songs of all time. The track became a dance-floor anthem, one of several groundbreaking electronic hits Atkins produced without ever troubling the pop charts.
What happens to the Detroit claim?
Techno's center of gravity moved to Europe decades ago, but Atkins anchored the genre's origin story to his hometown, and that story now outlives him. Every Berlin warehouse party and Amsterdam club night playing the genre traces, by most accounts, back to a D.J. from Detroit who named the thing himself.
Source: NYT Arts
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News editor covering companies, deals and strategy in arts in the broadest sense at Arts & Voices.
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