Nathan Fielder's Elizabeth Holmes Doc 'You Can See Everything' Drops First Trailer

Nathan Fielder and Lance Oppenheim's documentary "You Can See Everything," about Theranos founder Elizabeth Holmes, has released its first full-length trailer ahead of a theatrical run beginning Friday, October 16.

The film arrived as a hush-hush secret screening at the Telluride Film Festival in Colorado, where it, by the filmmakers' account relayed through festival coverage, blew away audiences. Fielder himself embedded with Holmes and her family — including her husband Billy Evans, who receives extensive screentime in the trailer — in the days before she began an extended federal prison sentence for fraud tied to her beleaguered blood-testing startup.

That access alone drew attention. What the film uncovers — or pointedly does not uncover — has kept critics talking.

IndieWire's review praised the documentary's "looming ambiguity." The filmmakers "shrewdly invite people to tell on themselves by sitting in the silence subjects often fill unprompted," the review states. "While they do their best to uphold logic and facts, the personalities and opinions of each subject, including Fielder, are eye-widening and staggeringly honest. Evans' true colors and motive, which shine brightest after Holmes is in prison, are so jarring and frightening."

The trailer's portrait of Evans has already unsettled viewers, with festival coverage singling out his "skin-crawling" presence in the footage released so far.

Holmes' story is familiar screen territory. Hulu dramatized her rise and fall in the series "The Dropout," with Amanda Seyfried playing Holmes. Alex Gibney covered the same ground in his 2019 documentary "The Inventor." Fielder and Oppenheim's entry distinguishes itself through proximity: the camera sits inside the Holmes household at the moment of collapse, before her departure for prison.

The documentary screens next at the New York Film Festival on September 30. Select theaters already have tickets on sale. Nationwide tickets become available October 1, ahead of the October 16 theatrical release.

Whether the film's silences and ambiguities translate from the festival buzz of Telluride to general audiences will become clear once it reaches theaters this fall.