Susanne Meister Builds Abstract Paintings You Want to Touch

Susanne Meister paints with eggshells, marble powder and spray cans, and the results look less like pictures than like terrain. Her abstract works, shown this month on Design You Trust and on her Instagram account (art_and_colour_44), push fluorescent pinks, fiery oranges, electric purples and earthy metallic tones across heavily built surfaces that resemble weathered landscapes, corroded walls or geological formations hit by a blast of color.

The comparison is deliberate. Where a conventional canvas asks to be read, Meister's ask to be handled — every crack, ridge and rough edge reads as something you could reach out and feel.

What goes into the surfaces?

Texture sits at the center of her process. According to Design You Trust, Meister experiments with a wide roster of materials:

• acrylic paints
• spray cans
• marble powder
• eggshells
• ink
• charcoal
• other, unnamed media

That mix builds richly layered surfaces with real physical depth. Some paintings carry delicate networks of cracks and subtle transitions between colors; others lean into aggressive contrasts and spontaneous marks. The account notes that she follows no fixed formula. She explores different tools and techniques instead, letting unexpected effects steer the finished piece.

It's a working method that treats accident as a collaborator rather than a defect. The material list alone tells you the priority order: surface first, image second.

Why did she come back to painting?

Meister returned to painting after a long creative break, rediscovering art as a form of personal expression and emotional release. That detail matters. The tactile, experimental character of the current work reads as the product of that return — an artist making up for lost time with both hands in the material.

She describes herself as an artistic traveler: someone who prefers experimenting with new ideas over settling into a single recognizable style. In a market that rewards instant brand recognition, that's a counter-position. It also explains the range visible across the published images — crackled pastel fields one moment, hard color clashes the next.

Throughout the work, the physical qualities of the materials become as important as the colors themselves, as Design You Trust puts it. The results are energetic, tactile, and dense with small details that reward a closer look.

What's the takeaway?

Meister's paintings land in a lineage of matter-heavy abstraction where the pigment is also the subject, closer in spirit to weathered walls than to brushed color fields. Her full portfolio, dozens of images strong, runs on Instagram under art_and_colour_44. For an artist who explicitly refuses a fixed style, the feed — irregular, uneven, consistently tactile — is the most honest catalogue she could have.