The American Prize Names Landlocked Opera Top Winner for 2026
The American Prize named Landlocked Opera of Columbia, Missouri, winner of its 2026 Opera Performance professional division for 'The Elixir of Love,' announced Oct. 23.

Programme
- Landlocked Opera of Columbia, Mo., won the 2026 professional division for 'The Elixir of Love,' announced Oct. 23 by chief judge David Katz.
- Michigan State University Opera Theatre won the larger college/university category for 'La Cenerentola' and 'The Magic Flute.'
- Boston University Opera Institute earned a Special Judges' Citation for the rediscovered work 'El Caminante' by Eduardo Sánchez de Fuentes.
- The American Prize, founded in 2010, is in its 16th year; 2027 applications run Jan. 11–April 20, 2027.
The American Prize named Landlocked Opera of Columbia, Missouri, the winner of the professional division of its 2026 Opera Performance competition on Oct. 23, honoring the company's production of Donizetti's "The Elixir of Love." Chief judge David Katz announced the results.
The win places a small Midwestern company at the top of a national field, ahead of ensembles from larger markets. The American Prize, founded in 2010 and now in its 16th year, did not publish judges' citations explaining the rankings, so the grounds for each placement remain with the jury.
Who placed where in the professional division?
- First: Landlocked Opera, Columbia, Mo. — "The Elixir of Love"
- Second: Painted Sky Opera, Oklahoma City — Mazzoli and Vavrek's "Proving Up"
- Third: Opera Modesto, Modesto, Calif. — Sotelo and Ibáñez's "Dulcinea"
- Honorable mention: Dramatic Voices Midwest, Independence, Mo. — "Die Walküre"
Notably, the second and third-place entries are contemporary or rarely staged works rather than repertory staples — a signal, if any, that the jury rewarded programming risk alongside execution.
What did the college and university divisions produce?
In the larger college/university program category, Michigan State University Opera Theatre won for two productions: "La Cenerentola" and "The Magic Flute." The University of Oklahoma Opera took second for the double bill of "L'heure espagnole" and "Rita." Boston Conservatory at Berklee Opera placed third for Hoiby's "Summer and Smoke" and also earned a finalist honorable mention for a double bill of Vaughan Williams' "Riders to the Sea" and Goble's "Whaling Women."
Boston University Opera Institute received a Special Judges' Citation for championing a rediscovered work: Eduardo Sánchez de Fuentes' "El Caminante." The citation is the competition's only named recognition of repertoire advocacy in this cycle.
In the smaller program category, Purchase Opera won for "L'incoronazione di Poppea" and "Amahl and the Night Visitors." Montclair State University's Cali School of Music Mainstage Opera placed second for "La Calisto" and "Hansel & Gretel." Three programs tied for third: West Texas A&M University ("Albert Herring"), Concordia College Opera (Stinson's "The Three Bears") and University of Wisconsin-Madison Opera ("Songbird," an adaptation of Offenbach's "La Périchole"). Schwob Opera Theatre at Columbus State University received a finalist honorable mention for "The Medium."
What about the community division?
Lawrence Opera Theatre of Lawrence, Kansas, won for "La Cenerentola." Peiyao Yu, working with stage director Zhengyingyue (Elaine) Huang, placed second for "Amahl and the Night Visitors."
What does this change for companies and students?
For winners, the prize offers national visibility and a credential that artistic directors, academic hiring committees and grant panels can weigh — though the competition releases no prize money figures and no written verdicts, so the practical value rests on the name alone. For contenders planning ahead, the calendar is set: applications for the 2027 season run from Jan. 11 through April 20, 2027.
Source: Opera Wire
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