Carrie Coon Enters Lily James' Cult in 'The Liberation' Trailer
Carrie Coon follows Lily James into an all-female commune in Guy Nattiv's festival drama 'The Liberation,' which Bleecker Street opens in US theaters on January 8.
Programme
- Bleecker Street releases 'The Liberation' in US theaters on Friday, January 8.
- The film screened at Telluride and Toronto, putting Carrie Coon in the Best Actress race per IndieWire.
- Guy Nattiv directs; Lily James, Bella Ramsey and Odessa Young co-star.
- Kate Erbland's TIFF review singled out Coon's performance as the film's high point.
Bleecker Street will release Guy Nattiv's "The Liberation" in US theaters on Friday, January 8, and the newly released trailer puts Carrie Coon's Best Actress contender front and center.
The film has already screened at several major fall festivals, including Telluride and Toronto. Those festival appearances pushed Coon, according to IndieWire, "into the heart of the Best Actress race." The January date gives the film a theatrical runway roughly two months after its festival buzz began building.
Coon plays Rita, "a woman in midlife haunted by the weight of her past," according to the official synopsis. She encounters a magnetic young spiritual leader, Ricki, played by Lily James, and leaves her family to follow her into an all-female commune. The plot tightens when Rita's daughters — Ella, played by Bella Ramsey, and Jo, played by Odessa Young — arrive unexpectedly and are drawn into the group's seductive world. Rita must then choose, the synopsis continues, "between the family she left behind and the life she believes can save her."
What does the critical reception say?
IndieWire's Kate Erbland reviewed the film out of the Toronto International Film Festival and singled out Coon's performance as the film's clear high point.
"Rita has long felt like she was standing on the outside of her life, and the brief flashes we see of the joy the group (before it so clearly becomes a cult) elicits in her, the feeling she is part of something, is profound," Erbland wrote. "It makes her later time in the cult so much worse."
The review does not let the outside world off the hook, either. Erbland noted that "'The Liberation' gently pokes holes in the idea that her 'outside' life is so much better," adding: "Perhaps there is no place for Rita in this world, a horrific revelation that Coon's performance drives home with significant power."
One wrinkle worth flagging: Erbland's review refers to a character named Naia in the commune sequences, while the official synopsis names only Rita, Ricki, Ella and Jo. The trailer and distributor materials have not clarified that discrepancy, and Bleecker Street has said nothing further about the full cast list.
What does this change for Coon's awards season?
A January 8 release places the film inside the current awards corridor, converting fall festival goodwill — Telluride, then Toronto — into a qualifying theatrical run. Coon's role here is unusually large: IndieWire describes it as one of the meatiest characters of her career. What remains unproven is whether festival enthusiasm survives the transition to wide critical exposure when the film reaches general audiences this winter.
Coon has also discussed the performance and her wider career in a recent appearance on IndieWire's Screen Talk podcast, recorded ahead of the theatrical release. Between the trailer, the podcast conversation and a two-month wait until opening day, the distributor has given audiences several entry points before January 8 — the date that will actually test whether the festival narrative holds.
Original: pmc.com
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Market editor covering people, launches and day-to-day practice in arts in the broadest sense at Arts & Voices.
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