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Hayley Williams’ “Dream Girl in Shibuya” Video in Black and White

Hayley Williams’ black-and-white “Dream Girl in Shibuya” video, filmed by Zachary Gray, extends her 2025 independent album into a second tour and Power Snatch.

Hayley Williams Hangs in Her Hotel Room in “Dream Girl in Shibuya” Video
Hayley Williams Hangs in Her Hotel Room in “Dream Girl in Shibuya” VideoLevi Meir Clancy / unsplash

Programme

  1. Hayley Williams released Ego Death at a Bachelorette Party in 2025 as her third solo album and first independent release.
  2. Zachary Gray filmed the black-and-white “Dream Girl in Shibuya” video, with Williams playing guitar on a hotel bed.
  3. Williams is in the midst of her second tour of the year, with Brazil and a few other South American cities later this month.
  4. Williams launched Power Snatch this year with Daniel James, the producer of Ego Death at a Bachelorette Party.
  5. Paramore released This Is Why in 2023, two years before Williams’ third solo album.

By Elena Vasquez

What does “Dream Girl in Shibuya” show?

Hayley Williams’ third solo album, Ego Death at a Bachelorette Party, arrived in 2025. That release provides the context for “Dream Girl in Shibuya,” a black-and-white music video filmed by Zachary Gray. Williams lounges on a hotel bed and plays guitar while the song considers the hope that someone will come to her room.

The video puts the encounter before the viewer: a hotel room, a bed, a guitar and a singer waiting to be approached. The clip does not need a larger setting to establish its stated premise. Its monochrome treatment makes the scene read as a private character study, while the song’s central hope points toward another person arriving.

The song turns that hope into a simple test: whether anyone will “hit up your hotel room.” The phrase identifies the hoped-for visit, while Gray’s filming keeps attention on Williams as she plays. The title names both the place and the situation.

In plain terms, the clip turns a hoped-for hotel-room encounter into its central scene.

Why does the 2025 release matter?

Ego Death at a Bachelorette Party dropped in 2025. For Williams, the release carries two distinctions: it is her third solo album and her first independent release. Two solo albums precede it, making this the third. It is also the first of the three to arrive independently, giving the 2025 record a distinct position within Williams’ solo catalog.

The album arrived amid several linked activities: a music video filmed by Gray, a second tour of the year and Power Snatch with the album’s producer, Daniel James. That makes the third album the hub for three linked developments: the record itself, its live run and a new collaboration with the person who produced it.

In plain terms, the 2025 record is both Williams’ third solo album and her first independent release.

What does the second tour add?

Williams is in the midst of her second tour of the year in support of Ego Death at a Bachelorette Party. The itinerary will take her to Brazil and a few other South American cities later this month. Brazil is the only country named, while the other destinations are described only as a few cities within South America.

That makes two tour cycles around one album in a single calendar year. The second cycle is the one now under way, and its South American dates will place the 2025 record in live performance beyond the single room pictured in Gray’s black-and-white clip. The focus is practical: Williams is carrying the album to audiences in several cities.

In plain terms, the record is already moving through its second tour of the year.

What is Power Snatch?

This year, Williams launched a new project, Power Snatch, with Daniel James. James produced Ego Death at a Bachelorette Party, giving the new venture a direct link to the record. The pairing also makes the producer’s role more visible within Williams’ current solo work.

The project extends the Williams-James connection beyond the finished album and places James as a named creative partner in her current activity, not only as the producer behind the 2025 release. Power Snatch therefore gives the year a second named creative line alongside the album and its tour. The available information identifies the collaboration but does not specify a song title, release date or format.

In plain terms, Williams and James have extended their album collaboration into a second named project.

How does Paramore fit into the timeline?

Paramore, Williams’ band, released its most recent album, This Is Why, in 2023. The date came two years before her third solo album. The chronology moves from Paramore’s 2023 record to Williams’ 2025 release; the video, second tour and newly launched Power Snatch project extend the current solo activity around that album.

The 2023 and 2025 releases make the present workload legible: the newer work is solo, while Paramore’s most recent album remains the stated band reference point. Williams’ current schedule contains a second tour of the year and a new partnership with the producer of her latest record. That places her solo work alongside the band discography.

Her next dated commitment is concrete: Williams will take the first independent solo album to Brazil and a few other South American cities later this month.

Source: Pitchfork

hayley-williams, dream-girl-in-shibuya, ego-death-at-a-bachelorette-party, paramore, zachary-gray

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