Ottawa's NACO Musicians Vote 100% in Favour of Strike After Dismissal
Musicians of the National Arts Centre Orchestra in Ottawa voted unanimously — 100% — in favour of strike action after their General Manager was dismissed without cause on Monday, citing a broader pattern of workplace stress.
Programme
- Orchestra members voted 100% in favour of strike action this week
- General Manager Jennifer MacDonald was dismissed without cause by Managing Director Nelson McDougall on Monday
- The Personnel Manager position stayed vacant for over a year due to stress leave
- John Storgards is scheduled to conduct his first week as music director in early November
- Slippedisc reported the orchestra members' account; no comment from management was recorded
The National Arts Centre Orchestra in Ottawa voted unanimously — 100% — in favour of strike action this week, according to orchestra members who spoke exclusively to trade outlet Slippedisc. The dispute follows Monday's dismissal of General Manager Jennifer MacDonald by Managing Director Nelson McDougall.
The termination was "without cause," orchestra members said. It sits inside what they describe as a documented pattern of workplace strain: "numerous staff and management personnel having taken extended stress-related leaves of absence," and a Personnel Manager vacancy that the musicians say stretched "over a year" because the post-holder was on stress leave.
What the timeline now looks like
The vote lands roughly three weeks before John Storgards is set to conduct his first week as music director, in early November. Storgards had been appointed to the post through a search process that concluded before this dispute surfaced, and his opening concerts now carry an uninvited labour overhang.
What does the unanimous vote actually change?
Plenty in tone, little on day one. A successful strike ballot in a federally regulated Canadian workplace is a mandate, not a stoppage. Members must still serve formal strike notice, observe any cooling-off period imposed by the Canada Industrial Relations Board, and accept essential-services designations that often cover at least part of subscription programming.
For Storgards, the calculation is reputational as much as logistical. A new music director's public narrative is built in the first months of his tenure. A work stoppage — even a brief one — would scramble the carefully staged opening block of first rehearsals, donor events and press.
What's missing from the public record
Slippedisc does not record a response from McDougall, MacDonald, the National Arts Centre's board of trustees, or the union local that bargains on the musicians' behalf. The orchestra members' account is therefore one side of a contested personnel decision.
A "without cause" dismissal of a senior manager is, on its own, unremarkable under Canadian employment standards, which typically require only notice or pay in lieu. The musicians' stronger grievance is the pattern of stress leaves they cite — concrete, dated, named in their own statement — not the termination itself. That distinction matters: it converts what could read as a job-protection dispute into a workplace-safety complaint, which carries different legal weight.
The orchestra is the resident ensemble of the National Arts Centre, a federal Crown corporation. Its accountability runs to the federal government rather than a private employer. That structural detail sets the bargaining counterpart — and, by extension, who must move first if a stoppage is to be averted.
What the next test will be
Strike action inside a flagship national ensemble is uncommon. The musicians' decision to lead with a stress-and-safety grievance rather than wages alone signals where they believe the institution is failing. The next move lies with the National Arts Centre's board: whether to treat Monday's dismissal as a personnel decision to defend, or as a workplace diagnosis to investigate.
Source: Slipped Disc
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Market editor covering people, launches and day-to-day practice in arts in the broadest sense at Arts & Voices.
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