Programme
- Rosalía performed 'Reliquia' en pointe, motionless, for the full four minutes on 'SNL.'
- Her second number, 'Magnolias,' featured an in-studio rain shower midway through the song.
- First-round Grammy voting opens Monday; she is favored for an album of the year nod for 'Lux.'
- She is nominated for seven awards at the upcoming Latin Grammys.
- A dozen dancers joined her at the end of 'Reliquia' as a strobe effect took over.
Rosalía stood perfectly still, en pointe, for the entire four minutes of "Reliquia" on "Saturday Night Live" — then closed her second number soaked by an in-studio rain shower. The Spanish singer's first song made no allowance for movement. She delivered her vocals from a ballet position that trained dancers typically sustain for seconds, not minutes. At the end of "Reliquia," a dozen dancers joined her, lining up on either side as a strobe effect took over the stage. Her second performance, "Magnolias," traded stillness for water. Midway through the song, a rain shower erupted in the studio, dampening her hair and face and turning her white dress clingy and sheer. Her undergarments became visible as the dress grew drenched — but viewers had already seen them minutes earlier, at the end of her single comedy-sketch appearance, in which she appeared in a thought bubble urging host Shane Gillis to leave his gravely ill mother's bedside for a Jelly Roll concert at Las Vegas' Sphere.
Did she really hold the pose unaided?
Social media viewers immediately questioned whether Rosalía was being propped up by unseen means while singing at full power in the position. Fans who had seen her balletic prowess on her global "Lux" tour countered that she needed no artificial help to pull off something that athletic. The debate produced no resolution from the broadcast itself.
What about host Shane Gillis?
The comedy surrounding the performances drew a sharply divided response. Gillis's monologue included a line that his weight gain made him "look like a lesbian," ended on another gay joke and featured a bit about women who dress like "whores" at the gym. He also dropped an F-bomb in a Dr. Seuss sketch, for which he apologized at the end of the show. Some viewers called Rosalía's elegant performances a balm that made up for the monologue; the social-media argument split largely along political lines, with conservatives defending Gillis and liberals voicing disdain.
What does this mean for the Grammys?
The timing could not be better for Rosalía's awards prospects. First-round Grammy voting opens Monday, and she is already heavily favored to secure an album of the year nomination for "Lux," with further nominations possible. She is already up for seven awards at the upcoming Latin Grammys. With a nationally televised display of vocal control under physical duress fresh in voters' minds, the "SNL" appearance lands as a closing argument for a campaign season she has led from the front.
Source: Variety Film
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Market editor covering industry trends and analytics at Arts & Voices.
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