Schoenbrun's Camp Miasma Leads a Heavy Streaming Week

Jane Schoenbrun's Teenage Sex and Death at Camp Miasma arrives on MUBI this week, heading a slate that also includes new streaming titles from Steven Spielberg, Yeon Sang-ho, Kent Jones and Harmony Korine's EDGLRD. The Film Stage's weekly roundup lists six headliners across MUBI, Peacock, Disney+, Hulu and VOD.

Schoenbrun's follow-up to I Saw the TV Glow stars Hannah Einbinder and Gillian Anderson, with Alex G returning as composer and Eric Yue behind the camera. Rory O'Connor, reviewing from Cannes for The Film Stage, called it "a wildly entertaining exploration of the slasher film, erotic pleasure, and everything in between." His Critic's Pick review praised the movie-within-the-movie's kill scene: "so mesmerizing that you'll welcome Schoenbrun's decision to play it again and again." He also flagged "that churning sense of movie spiraling a drain as it drags you down with it." Rare praise, and specific. That's the Schoenbrun brand.

What else landed on streaming?

• Barrio Triste (VOD) — Colombian-American artist Stillz directs his debut feature, produced by Harmony Korine's EDGLRD, the "post-cinema" company founded barely two years ago. Stillz's background is music videos for Bad Bunny and Rosalia. The Film Stage's reviewer ranked it among the year's best first features.
• Colony (VOD) — Yeon Sang-ho, director of Train to Busan, sets a zombie outbreak in a downtown Seoul office complex. The twist: these zombies communicate instantaneously, evolving a hive mentality. Jun Ji-hyun takes her first screen role in over a decade. The film was a box-office hit in South Korea this May.
• Disclosure Day (Peacock) — Spielberg returns to extraterrestrial territory. His stated theme, quoted by the review: "Empathy is the core of animate existence–our evolutionary advantage."
• Late Fame (VOD) — Kent Jones directs Willem Dafoe as Ed Saxberger, a one-time poet who published a single book in the late 1970s, then spent almost 40 years working at NYC's post office. Edmund Donovan plays the young writer who resurrects Saxberger's forgotten Way Past Go. "It's as if the poems were written yesterday," Meyers croons. Dafoe smiles; the film smiles with him.
• Oasis: Don't Look Back in Anger (Disney+, Hulu) — Meet Me in the Bathroom documentarians Will Lovelace and Dylan Southern direct, with Peaky Blinders creator Steven Knight writing. The film offers rehearsal-room access to the Gallagher brothers' reunion — a rarer thing than a band's ending, as The Last Waltz and Let It Be documented.

Which catalog titles joined them?

MUBI added the largest batch: Bonjour Tristesse, Bunnylovr, The Quiet Earth, Rapture, Ring and Season of the Witch. Hulu added Olmo; Netflix added Animals; the Kino Film Collection added Death Ship and Terror Train; VOD added Onslaught.

The Schoenbrun is the obvious priority. A Cannes Critic's Pick with a MUBI exclusive rarely stays quiet for long, and her last film built its audience exactly this way — one streaming-week convert at a time.