'Ramayana Part 1' Opens Nov. 5 with Rahman-Zimmer Score and Global Amazon Push
'Ramayana Part 1' opens worldwide Nov. 5 with Ranbir Kapoor, Sai Pallavi and Yash, a first-ever Rahman-Zimmer score and Amazon Music's biggest Indian film album campaign.
Programme
- "Ramayana Part 1," directed by Nitesh Tiwari and starring Ranbir Kapoor, opens worldwide on Nov. 5.
- A.R. Rahman and Hans Zimmer score an Indian film together for the first time; T-Series is the label.
- Producer Namit Malhotra's DNEG has won eight Oscars, most recently for "Dune: Part Two."
- First single "Jai Jai Ram" released Sept. 14 for Ganesh Chaturthi; Rahman performed live Oct. 21 in Chennai.
- Indian-language music makes up about 70% of Amazon Music streams in India; the service operates in 50+ countries.
"Ramayana Part 1" opens worldwide on Nov. 5, and its producers are betting that an A.R. Rahman and Hans Zimmer score — a first-time pairing on an Indian film — will carry the epic to global audiences before a single ticket is sold.
Directed by Nitesh Tiwari ("Dangal," "Chhichhore"), the first of two films stars Ranbir Kapoor as Rama, the prince sent into exile, Sai Pallavi as Sita and Yash as Ravana, king of Lanka. T-Series is the music label; Amazon Music is the streaming partner. Producer Namit Malhotra's Prime Focus Studios produces with Yash's Monster Mind Creations.
Malhotra is founder and CEO of DNEG, the visual effects company with eight Oscars, most recently for "Dune: Part Two." DNEG and sister company ReDefine handle the film's VFX. "We have contributed to some of the biggest films in the world, and I felt, why shouldn't we bring that same ambition to 'Ramayana'?" Malhotra told Variety. "Of course, that comes with a tremendous responsibility because of what Lord Ram means to so many people."
How does the team approach a story everyone knows?
For Malhotra, global reach starts with fidelity to the source. He recalls Hans Zimmer's first question: why the "Ramayana" still resonates thousands of years on. "That connection is what we have to honor," Malhotra says. "We have artists from across the world bringing their best to it, with the hope that Indian audiences feel proud and audiences discovering 'Ramayana' for the first time understand why it is so special to us."
Tiwari's task is intimacy inside scale. "There is an enormous difference between knowing that something happened and feeling what it meant to the people involved," the director says. "That is where my attention has been: the relationships, the difficult choices and the emotions within those moments."
With millions familiar with the plot, Tiwari argues foreknowledge deepens rather than dulls the emotion. "Knowing the outcome doesn't necessarily lessen the emotion," he says. "My job is to make those moments feel immediate and truthful, so the audience experiences the journey rather than simply recognizes the events." His earlier films taught him that audiences respond to the truth of a relationship — a gesture between parent and child, a moment between friends. "However ambitious the filmmaking becomes, you cannot lose your attention to those details," Tiwari says.
What role does the music play?
Music was central from day one. "When I thought about who could bring that vision to life, it was A.R. Rahman and Hans Zimmer. There was no plan B," Malhotra says. "I would tell A.R. Rahman that I wanted the emotional familiarity of the music we love, expressed in a melody of today."
The score was recorded with an orchestra at AIR Studios in London. "Hearing their compositions come alive with the orchestra in London was extraordinary," Malhotra says. "It made me feel that the music could carry the emotion of 'Ramayana' to people everywhere."
Each track gets its own release window. "Jai Jai Ram" arrived Sept. 14 to coincide with Ganesh Chaturthi. "I called A.R. Rahman and said, you have had so many songs that people love, but this is my first with you," Malhotra recalls. His ambition: songs that become part of people's "celebrations, their prayers or their everyday lives."
Tiwari decides where music belongs scene by scene. "There are moments that invite a powerful musical expression and others where a restrained passage or silence can be more affecting," he says. He also shapes each song's rollout: "A song may be someone's first introduction to our film, so it should communicate its emotion and spirit honestly."
Music, Malhotra adds, will bridge the two films: "A song or a few notes of a theme can bring you straight back to a character, a feeling or a moment."
Why is Amazon Music investing so heavily?
The soundtrack anchors Amazon Music's push into Indian film music. Indian-language music accounts for around 70% of what Indian customers stream. For more than two years, the platform has built standalone album launches — a Mumbai stage combining Hanumankind, Madhubanti Bagchi and Jasmine Sandlas for "Dhurandhar," whose songs stayed long in its 50 Most Played chart; the "Border 2" album launch at the INS Kadamba naval base in Karwar; and events for "Param Sundari" and "Tere Ishk Mein."
"Amazon Music is becoming the destination where India's biggest film albums break," says Rishabh Gupta, general manager of Amazon Music India. "Streaming services are becoming collaborators in culture, not just a place where music rests, and 'Ramayana' is the biggest example of that yet."
For "Ramayana," Amazon hosted an Oct. 21 celebration at the Chennai Trade Centre, where Rahman performed live alongside Kapoor, Pallavi and Yash. It is rolling out a short-form series including "Decoding Ramayana with A.R. Rahman" on Instagram and YouTube, plus a dedicated album destination and four character-named playlists. Because Amazon Music operates in more than 50 countries, each song goes live abroad simultaneously with India.
Gupta frames listening data as guidance, with release decisions staying with the filmmakers and T-Series. "In many ways, the music is the film's first trailer, and a song people love is the best invitation to the theater," he says.
T-Series' Bhushan Kumar calls the album more than a conventional soundtrack. "With A.R. Rahman and Hans Zimmer coming together, we endeavor to honor its Indian roots while creating a distinctive musical experience that resonates with contemporary and international audiences," he says. "Our aspiration is for the music to transcend the film and become part of a lasting cultural and emotional experience for generations to come."
Amazon Music measures success by engagement over time, not launch week. "For 'Ramayana,' the real success will be when the songs are still being played long after the film leaves theaters — at festivals, in family routines, and as a way into Indian music for listeners around the world," Gupta says. Whether the Rahman-Zimmer score achieves that endurance will become clear after Nov. 5, and again when Part 2 asks audiences to return.
Source: Variety Film
More from Elena Vasquez
Show full bio
Senior reporter covering technology and product news in arts in the broadest sense at Arts & Voices.
1,034 articles
Also on view
JioHotstar Sets Pay-Per-View Debut for Ranbir Kapoor's 'Ramayana: Part One'
Ramayana: Rise of a Legend review: India's costliest film is a spectacular epic
Yash Raj Films Reveals 'Beparwah' as Title of Ahaan Panday–Sharvari Vehicle
Ranbir Kapoor and Yash Headline Gold House's Largest Gold Diwali in Los Angeles


