Chvrches have released "Roses," their first new song in three years and the opening move of a new era following 2021's album Screen Violence.

The single arrives via Futures, the band's new label home for the release. It marks the Scottish group's first new music since Screen Violence, the LP that closed their fourth-album cycle in 2021.

Lauren Mayberry addressed the long gap directly in a press release announcing the single. "This is the longest break we had ever taken between albums and when we got together to write new music, we wanted to really push ourselves and not be retreading ground we'd walked before," she said. "I really think we achieved that. It feels like the most coherent vision we've had as a band. We're excited to be back..."

Mayberry's framing carries weight. Three years separate "Roses" from Screen Violence, the longest interval between Chvrches projects since the band formed. During that stretch, Mayberry released a solo album, her first full-length work outside the trio. Her return to the band fold, and her claim that the new material represents "the most coherent vision we've had as a band," positions "Roses" as a deliberate reset rather than a routine follow-up.

The singer's reference to refusing to retread ground speaks to the band's own history. Across four albums, Chvrches built a catalog defined by synth-pop precision and Mayberry's voice, and the pressure to evolve after a three-year silence is exactly the kind her statement addresses head-on. Whether "Roses" fully answers that question will occupy listeners as the new era unfolds.

The band has also announced two intimate underplays — small-scale shows at venues deliberately larger than a club but far below arena capacity — in Glasgow and London. The Glasgow date falls on October 26; the London follow on October 29. The venues remain undisclosed. All proceeds from both shows will go to charity.

The choice of Glasgow carries significance for the group's identity: Chvrches formed in the city, and opening the new campaign there roots the return in the band's origins. The underplay format itself signals intent — stripped-back rooms, direct contact with audiences, and a charity mandate ahead of what may become a fuller touring cycle.

For now, the record of the moment is "Roses," the Futures-released single that ends the trio's three-year silence. The Glasgow and London dates in late October will offer the first live test of the material, and the first indication of how the "coherent vision" Mayberry describes translates to the stage.